Jom Tob Azulay Net Worth
Jom Tob Azulay made money by Producers niche. For all time, at the moment, 2018 year, Jom Tob Azulay earned $14 Million. Exact sum is $14000000.
Short biography, height, weight, dates:
Birth date: 1941, Rio de Janeiro, Rio de Janeiro, Brazil
Birth place: Rio de Janeiro, Brazil
Profession: Producer, Director, Writer
Wikipedia Source: Jom Tob Azulay
Jom Tob Azulay is a Brazilian ex-diplomat, producer, director, writer, director of photography and soundman. He is a Brazilian Jew of Moroccan descent. In 1975, he established himself as producer with his company A&B Productions Ltd., in Rio de Janeiro. Produced and directs shorts, documentaries and videos. In the field of feature films, produced A Man and the Cinema, last work by Alberto Cavalcanti and The Difficult Journey by Geraldo Moraes. Director of Photography of Muito Prazer by David Neves awarded with Best Direction of Photography at the 12th Festival de Brasí-lia. As director-producer makes Sweet Barbarians, musical-documentary, with Maria Bethania, Gilberto Gil, Gal Costa and Caetano Velloso and Heart-Pounding Beat, musical-comedy in documentary style with Gilberto Gil and actors Regina Casé- and Joel Barcellos, first Brazilian film in Dolby Stereo. In 1993, Brazilian producer of Its All True, the Orson Welles film shot in 1942 in Brazil. In 1995, producer-director of The Jew, historical feature about the Inquisition, Portuguese-Brazilian co production, Best Film at the 28th Festival de Brasí-lia and HBO-Brazil Film Award. Delegate-Producer of The Testament of Mr. Napumoceno by Francisco Manso, Portuguese-Brazilian-Caboverdian co-production- Executive-producer of Turbulence by Ruy Guerra, Portuguese-Cuban-Brazilian co-production. Executive-Producer and Co-director of the series Knowing Brazil for Educational Television Р TVE. Producer-Director-Writer of РўDebret Р A Water Colour of BrazilРЈ, puppet-animation, historical-documentary about 19th.Century French painter Jean Baptiste Debret. Teacher of Film Photography at the Federal University of the State of Rio de Janeiro, Teacher of Film Production and Direction at the University Está-cio de Sá-, author of articles and conferences in Brazil and abroad about cinema, communication and cultural policies. He headed the International Department of the Brazilian National Agency of Cinema from 2002 to 2007. Presently develops personal projects for Р™